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Understanding 9/11The animation bible : a practical guide to the art of animating, from flipbooks to flash
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340 p. : 28 cm
Includes bibliographical references (p. 328-332) and index
Concept, medium, and style -- Storytelling strategies -- Applications I: hearing sound -- Pre-production -- Production and post-production -- Applications II: timing action -- Early motion devices -- Applications III: thaumatrope -- Direct filmmaking: practice and presentation -- Direct filmmaking: vision, sound, and collective experience -- Applications IV: direct motion -- Graphics loopology -- Mixed media and drawing -- Water- and oil-based media -- Applications V: texture book -- Stop-motion animation: a survey of techniques -- Animation in real world contexts -- Applications VI: replacement -- Animation and lip sync -- Digital media and computer animation -- Digital visions -- Applications VII: playing with Flash
Includes bibliographical references (p. 328-332) and index
Concept, medium, and style -- Storytelling strategies -- Applications I: hearing sound -- Pre-production -- Production and post-production -- Applications II: timing action -- Early motion devices -- Applications III: thaumatrope -- Direct filmmaking: practice and presentation -- Direct filmmaking: vision, sound, and collective experience -- Applications IV: direct motion -- Graphics loopology -- Mixed media and drawing -- Water- and oil-based media -- Applications V: texture book -- Stop-motion animation: a survey of techniques -- Animation in real world contexts -- Applications VI: replacement -- Animation and lip sync -- Digital media and computer animation -- Digital visions -- Applications VII: playing with Flash
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